Wednesday, January 27, 2010

Potential Thesis Project

There is a direct relationship between sound waves and visual patterns. Ernst Chladni discovered nodal patterns that are created through different sound frequencies. He found this through what is now called the ‘Chladni test;’ which is performed by placing a speaker on it’s back, then attaching a metal plate to the face of the speaker. Other materials have also begun to be used to determine resonance frequencies within instruments like violins. The user then pours salt or sand onto the plate while different tones are played through the speaker. As the pitch is adjusted different visual patterns appear. The higher the pitch, the more intricate the patterns become.

If sound waves then can create such precise visual patterns, is it possible that sound and visual understanding would therefore go hand in hand? Visuals for music would not simply be created on a subjective level but rather a subconsciously predetermined level.

Think about your favorite musical genre and the visuals that accompany the albums. Psychedelic rock of the 1960’s has a distinct visual style, as does Norwegian Black Metal of the mid 1980’s and early 90’s. Why is it that we associate certain visual elements with particular music styles? Could it possibly be that the sound waves from a particular guitar tone or the frequency of a microphone, is what informs our visual preference.

People often associate themselves with music style and design goes along with that. Fashion trends, automobiles and their accessories, as well as record sleeve artwork are all influenced by the smallest changes in sounds. Heavy metal has spawned hundreds of off-shoot subgenres that are separated by only the slightest variations. For example, there is an enormous change in both attitude as well as visuals accompaniment in black metal, death metal, grind core, and hardcore but to the uninitiated they may all sound very similar. Take the typefaces used for band names in these genres. The abstract hand rendered titles of black metal bands is hugely different from the rigid varsity styled letterforms used in hardcore. Sound seems to influenced these visual variations within the genres. The same ideas exist in Jazz and many other musical styles as well. The visual accompaniment of a jazz album by someone like Diana Krall is vastly different from artists such as John Zorn or Ornette Coleman.

Through sound we generate feelings and emotions. Music can change your day and your outlook on a particular situation. Sound can also make you move in certain ways through dance, so it is too much to believe that sound could directly influence visuals such as design? I propose that there is a direct correlation between sound waves and visual language. Album covers, music videos, and even live performances are all influenced by sound. This is not simply a subjective undertaking but rather a predetermined course guided by sound frequencies and the visual patterns.

Visual Examples of the Chladni test.



Potential Sources

Adorno, Theodor W. and Thomas Y. Levin. “The Form of the Phonograph Record.”
October Vol. 55, (Winter, 1990): 56-61.

Archbold, E. and A. E. Ennos. “Observation of Surface Vibration Modes by Stroboscopic
Hologram Interferometry.” Nature Vol. 217 (1968): 942-943.

Beyer, Robert Thomas. Sounds of our Times: Two Hundred Years of Acoustics. New
York, NY: Springer, 1999. 27-51.

Comer, J. R., M. J. Shepard, P. N. Henriksen, and R. D. Ramsier. “Chladni Plates
Revisited.” American Journal of Physics Vol. 72, Issue 10 (Oct., 2004): 1345-1346.

Cook, Perry R. Music, Cognition, and Computerized Sound: An Introduction to
Psychoacoustics. Cambridge, MA: MIT Press, 2001.

Gau, Ching-Fu. Holographic Visualization of Nodal Patterns of Vibrating Membranes.
Buffalo, NY: State University of New York at Buffalo, 1980.

Jones, Steve and Martin Sorger. “Covering Music: A Brief History and Analysis of
Album Cover Design.” Journal of Popular Music Studies Vol. 11-12 Issue 1 (Aug., 2006): 68-102.

Klanten, Robert and Hendrik Hellige. Supersonic: Visuals for Music. Berlin, Germany:
Die Gestalten Verlag, 2007.

Loewy. Print + Production Finishes for CD + DVD Packaging. East Sussex, England:
RotoVision, 2009.

Miles, Barry, Grant Scott and Johnny Morgan. The Greatest Album Covers of All Time.
New York, NY: Collins & Brown, 2005

Pickover, Clifford A. The Zen of Magic Squares, Circles, and Stars: An Exhibition of
Surprising Structures Across Dimensions. Princeton, NJ: Princeton University
Press, 2003. 207-212.

Rayleigh, Baron John William Strutt and Robert Bruce Lindsay. The Theory of Sound,
Volume 1. New York, NY: Courier Dover Publications, 1945.

Richardson, Edward Gick. Sound: A Physical Text-Book. Berkeley, CA: The University
of California, 1935.

Sherwood, Lauralee. Human Physiology: From Cells to Systems. Florence, KY:
Cengage Learning, 2008.

Smilansky, U., Hans-Jürgen Stöckmann and Ernst Florens Friedrich Chladni. “Nodal
Patterns in Physics and Mathematics: From Chladni's Seminal Work to Modern Applications--A Historic-Scientific Perspective.” The European Physical Journal Vol. 145 (July 2006): 24-28.

Stauffer, Robert C. “Speculation and Experiment in the Background of Oersted's
Discovery of Electromagnetism.” Isis Vol. 48, No. 1 (Mar., 1957): 33-50.

Stoltze, Clifford. 1,000 Music Graphics: A Compilation of Packaging, Posters, and Other
Sound Solutions. Beverly, MA: Rockport Publishers, 2008.

Thompson, William Forde, Phil Graham and Frank A. Russo. “Seeing Music
Performance: Visual Influences on Perception and Experience.” Semiotica Vol. 2005, Issue 156 (Aug., 2005): 203–227.

Weis, Elisabeth and John Belton. Film Sound: Theory and Practice. Irvington, NY:
Columbia University Press, 1985.

Whitney, John. Digital Harmony: On the Complementarity of Music and Visual Art.
New York, NY: McGraw-Hill, Inc., 1981.

1 comment:

  1. your bibliography format is not correct - but close. see the style guide.

    one of my classmates uses music to design buildings. i hope all three of your proposals will draw on your interest in music. good start. if you'd like me to look at your thesis questions send them to my email. happy to give a hand.

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